Exemplary Elves Part 3 High Elves
This is a continuation of a series that seeks to re-imagine the standard races of Dungeons & Dragons as more unique and fully developed cultures. The last article dealt with the Einolar, a Wood...
Tagged: World Design
GET MEDIEVAL: Warfare in the Middle Ages, Part II Applying what we know about medieval warfare to a fantasy setting
This article is a sequel to Wallace Cleaves’ discussion of medieval warfare, in which the medievalist applies a scholar’s understanding of period warfare to his own fantasy world setting, the Vault. Warfare in the Vault...
The Einolar, Part 2: The Treesmith’s Treasures
The previous article in this series introduced the basic features of the Einolar Wood Elf culture. These elves are animistic–and potentially cannibalistic–individualists with a culture based on democratic consensus and reverence for the forests...
Calendars and Cosmology – Making Calendars Creative
Calendars are a fantastic resource for making your game world distinct and cohesive. They reinforce the cosmology, culture, and unique character of your imagined world while providing you with a powerful campaign-management tool. Indeed, the very...
Exemplary Elves Part 2: Einolar – The Wood Wardens – A Wood Elf Culture
The first elven culture I’m attempting to engineer is a version of the wood elves, based on my previous discussion about what the game mechanics tell us about elves in the new edition. I...
D&D isn’t Even Human – Game World Design – The Fourth (of Four) Principles
This column rounds up the fourth of four principles of fantasy world design. You can read the other three here, here, and here. 4) If D&D “Isn’t even human,” then what is it? Alien,...
Gazetteer for the Duchy of the Sept
This is the first of a series of Gazetteer entries for regions of the Basin Kingdoms in the World of the Vault. The duchy of the Sept comprises seven settled hexads (hence, “Sept”) and...
Magic is Prevalent and Pervasive – Game World Design – The Third (of Four) Principles
The post below continues a series that started with an overview of the four principles Wallace Cleaves used in thinking about his world, the Vault. The first principle and second principle have been covered...
Pantheon of the Vorago
Ihave lately been creating clerics as part of a short series on the divine class. (To read the five clerics in that series, see Galatherina, Bettelfegne, Mitra, Raicho, and Arethkayn.) However, I’ve often been stumped about...
American Geography and European History – Game World Design – The Second (of Four) Principles
If “Fantasy geography is that of the American West,” then what should that setting look like? Answer: It should have American Geography– and European History Aproper fantasy setting should be big–really big. Imagination-capturing big....
